Norwegian woman photoartist3/27/2023 Leach 1832-1903, who was also a Watchmaker and a Jeweler. He was born in Warren County, Iowa, the son of early Iowa Photographer John A. (known to be photographer EA leach or Edwin Alvero Leach 1861-1906, died age 44 and buried in Santa Barbara County, California. Leach, Los Gatos, Santa Clara County, California. He died in 1915 at 86 years of age) See their work here and for much more info see this wonderful Library of Congress link. Houseworth closed and went back to optical work. The Houseworth gallery was at 317 & 319 Montgomery Street in San Francisco until the late 1870's when other companies created a large amount of stereoview and photography competition. This CDV photo was made before his departure. George retired in 1868 and died in 1873 at age 47. They became early (and landmark publishers) of local stereoviews and scenes of California and Nevada as well as portrait photography here, where they hired the best photographers. In the 1852 census they are in San Francisco, and George opened the first optician / optical shop in the city, with Thomas joining in 1855. They sailed from NYC to San Francisco together in 1849 for the gold rush and worked in Calavera and Trinity counties. Lawrence 1826-1873, both born in New York. (known to be photographers Thomas Houseworth 1828-1915 and George S. Lawrence, GS & Houseworth, T: Lawrence & Houseworth, San Francisco, San Francisco County CA. Godeus, John D.: John Godeus, photographer and owner of the People's Art Gallery, 34 Third Street, San Francisco, California. CDV Photo copy of an early Dagguerreotype, see here. She is also a well known California artist. Their daughter Grace Carpenter Hudson 1865-1937 who when young worked in the business hand coloring photos, may have added the printed sepia byline seen printed under this daguerreotype image. Carpenter 1836-1919, who with his wife Helen Carpenter ran their photography gallery called the “Home Gallery” from their own Ukiah home (thus the name), taking photos of early CA settlers and historically much more. He married Elizabeth Rose Parker Valpey 1872–1955 and died in San Jose) Cabinet Card Photo, see here.Ĭarpenter, AO: California photographer A.O. Photographer John O Valpey or John Ormiston Valpey 1868–1917 was the son of Charles Henry Valpey born 1843, and Esther Hester Ormiston 1838–1927. He was the son of James Harliss 1820–1910 and Elizabeth Quince Harliss 1820–1905, both born in England, and who both also died in Santa Clara. Harliss (James Alva Harliss 1862–1935) was born and died in CA and his occupations are listed as an Orchardist, Salesman, Box Maker, Fruit Grower, Real Estate Agent, Merchant and Photographer in the various years fo the San Jose business directories. Valpey, who operated the California Art Company in 1890 in San Jose. This is on the southern shore of San Francisco Bay, Santa Clara County CA. He worked in Sacramento from 1854-1907) Smaller format 1891 CDV size dry mount photo, see his work here.Ĭalifornia Art Company, Harliss & Volpey: J.A. Beals or Henry Sherman Beals 1823-1907, an early Daguerreotype, Daguerreian artist born in Hartford, Hartford County, CT. St., Sacramento, Sacramento County, California (known to be famous and prolific photographer Henry S. See photo here. Any help or correction on this piece is appreciated, email Debra here.īeals, HS: H.S. It was found in Franklin County, Massachusetts near the Brattleboro, Windham County, Vermont border, but could honestly be from any state in America. UNKNOWN MYSTERY PHOTOS, ANY HELP APPRECIATED:ĭewey: A small Dry Mount photograph dated 1903 fancy embossed on card with photographer's name as "Dewey", area unknown.
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Labradar chronograph3/27/2023 ![]() Avoid the small, flexible tri-pods that are popular for point-and-click cameras because they do not provide enough support and can allow the radar to tip and fall. Use a sturdy full size tri-pod for standing shots or the LabRadar Bench Mount for bench rested shots. The bottom of the unit is fitted with a brass nut threaded to match most photography tri-pod mounts. As long as the radar and the gun are pointed at the same target down range, and the gun is held steady for repeatable shot placement, the unit will generate solid readings. The radar beam is relatively narrow but not so narrow as to require shots fired into a tiny 2" window. It works in all lighting conditions, inside or outside, and is not disturbed by vibrations from muzzle blast. ![]() The radar signal is not affected by the environmental conditions that hamper optical sensors. The unit rests next to the gun, just behind the muzzle, instead of down range where it could be damaged. Much like the radar guns used by law enforcement officials to check vehicle speeds on the highway, the LabRadar projects a focused radar signal to monitor the flight of a bullet. Instead, this self contained unit uses a combination of continuous wave Doppler radar and advanced digital signal processing technologies developed by Infinition Inc. The LabRadar ballistic chronograph is a game changer because it does away with optical sensors and all of the related clutter. If you do manage to find a quiet corner of an outdoor shooting range and get all of your gear set up just right, don't be too surprised when a gust of wind blows the tripod holding the device over onto the ground so that the alignment process has to start all over again. These devices are also sensitive to muzzle blast from your gun or even the guy shooting next to you, especially in enclosed spaces like indoor ranges (resulting in yet more error messages). The sensors usually will not operate correctly with the flickering of indoor lighting without added accessories. If the lighting isn't just right with the sensors shaded just so, you will see more errors. ![]() The sensors have to be at the correct distance and height while resting in proper front-to-back alignment with the firearm to avoid getting error messages. Setting up an optic sensor chronograph can take a long time. Shots have to be fired very close to the sensors, which increases the likelihood of the device being nicked, dinged or blown apart. ![]() This is a dangerous location for any object one does not wish to destroy. They must be placed in front of the gun’s muzzle. But over the years, I've found the typical optical sensor chronographs can be a challenge to work with. I'm a big fan of home-grown ballistics information. Those numbers can then be combined with additional information (accuracy, trajectory) to form a meaningful profile of a cartridge’s performance when fired from a particular gun. This velocity can then be churned through a mathematical formula along with the bullet's weight to calculate how much energy is exerted when it strikes a target. The time it takes for the bullet to travel the distance between the two sensors is measured electronically, processed by the chronograph's on board computer and then displayed as a velocity. Bullets are fired over the screens causing an interruption in the sensor's source of natural or artificial light. Many of the modern commercial-grade chronographs for sporting applications employ two optical sensors, called “screens,” arranged one in front of the other. To better understand why the LabRadar is such a useful innovation, it's helpful to have a better understanding of what chronographs are used for along with the technology which has come before. Not only is the system one of the easiest to set up, it captures much more data with each shot fired. The new LabRadar chronograph system takes the process of measuring and recording a bullet's speed in a fresh direction that has definite advantages when compared to other options on the market. Place LabRadar beside the shooter, point towards the target and you’re ready to go.Chronographs play an important role in providing shooting enthusiasts with information needed to compare the performance of differing loads of ammunition. The data is downloadable via USB or SD card. Track and obtain true velocities continuously up to 100 yards.
Css formatter3/27/2023 You can also use the results of this CSS formatter for display purposes on your website, in your own app, in an email, report, document, etc. With a beautified CSS string you can better understand the data and are more productive. Often CSS strings are not only ugly but very difficult to read, and a CSS formatter is absolutely necessary to quickly find the properties you are looking for in the CSS. You can also customize the width of the indentation with this CSS formatter. ![]() Choose to indent the CSS with spaces, tabs or any custom character such as periods, apostrophes, number signs, asterisks, ampersands, etc. Choose different settings to customize your CSS output and pretty print your CSS string exactly how you need it with this online CSS formatter. Input your minified or poorly formatted CSS text directly into the app and it will output a more readable, usable, pretty CSS string. There you go, some of the best CSS extensions for Visual Studio Code.Format your CSS string into a readable, pretty, beautiful output with this free online CSS formatter app. To activate the snippets for Bootstrap use “B4”. I have to look up the syntax every time I want to add an icon, but not anymore! There are so many classes in Bootstrap that it’s impossible to memorize them all. That’s why I figured it was worth sharing this extension which provides intellisense for Bootstrap 4, Font Awesome 4, and Font Awesome 5. Sure, not every project uses Bootstrap or Font Awesome, but a ton of them do. Bootstrap 4, Font awesome 4, Font Awesome 5 Free & Pro snippets You can set this up to run on save automatically or manually if you choose. Prettier - Code Formatter is incredibly popular for auto-formatting your JavaScript, but did you know it auto- formats CSS as well? Well, it does, and it’s awesome! Setup Prettier once, and it takes care of the rest! This extension also turns class names and ids into a hyper link that takes you directly to that class or id definition in your CSS! Prettier - Code Formatter With CSS Peek, you can view a hover image of your CSS from within you HTML file. css file to check the properties attached to a class or id. If you’re anything like me, I hate having to toggle over to my. Open the Command Palette and call “Autoprefixer CSS”. I would completely forget to add the vendor prefixes.Īutoprefixer will automatically add vendor prefixes to make sure your app looks as good as possible in different browsers. If it weren’t for the workflows already configured with Create React App, Angular CLI, etc. Having to prefix certain CSS properties to ensure browser support can be an extreme hassle. This class definitions will also be available via intellisense when using Emmet as well!Īt any point, you can trigger a re-cache of the classes from your CSS files by opening up the Command Palette. This one will also automatically pull classes from CSS referenced in your HTML files. ![]() Intellisense for CSS Class Names provides similar functionality to the extension above. "css.remoteStyleSheets" : Intellisense for CSS Class Names This example is refering the Bootstrap 4 CSS file. ![]() You can do this by adding the following setting. One thing that really stands out about this one is that you can specify remote CSS files to cache as well. Scans workspace folder for css and scss files Supports Zen Coding completion for class and id attributes HTML CSS Support (and the next extension listed) provides intellisense in your HTML files based on the CSS that is included in your project or referenced remotely. With tons of developers creating extensions, the functionality is literally endless! Here are some of the best extensions in VS Code for writing CSS.Ĭheck out Learn Visual Studio Code to learn everything you need to know about about the hottest editor in Web Development! HTML CSS Support One of the most impressive parts of Visual Studio Code is customizability, especially via extensions. Three year old piano prodigy3/27/2023 ![]() ![]() You start to think that dropping 40 grand for a grand piano is a “steal.” You own a lot of frilly velvet dresses that you rotate out when competition season starts to swing into gear. If you win, the award money is not even worth the gas used to get there. 1 musician of the Baldwin National Music Teachers’ Association. You spend a lot of time with your Tiger Parents on the road, driving past cow pastures and obscure grain mills in the Midwest to play on an out-of-tune piano in the hope that three strangers will deem you the no. Five hours a day was necessary, six hours preferable.Ĭompeting in music competitions can completely warp your sense of reality. Once a year, I was allowed to learn four songs hand-selected by my piano teacher - a concerto, a baroque piece, a classical sonata and something from the romantic or contemporary era - and practice them until each slur had been smoothed, every grace note lithely flicked.ĭrill, rinse, repeat. As artistic as the music industry purports to be, my musical years were all about brittle vigilance. Piano competitions are kind of like that. A wrist flick, a twitch of the ponytail, a cheesy smile carved in place - these things drilled and re-drilled until solemnly committed to muscle memory. But every move, I came to discover, was calculated. Olympic gymnastics team in London this summer. You know those little kids on YouTube who play concertos with orchestras, their fingers sliding deftly over the ivories even though their feet can barely reach the pedals? That was me. Motion parallax3/27/2023 ![]() Note that the distance, d', from the object to the grid has been exaggerated to make the labeling clear. Diagram showing the similar triangles used to calculate the distance, d, from the telescope to the object.
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The game is a true visual display of the capabilities of the PS2, whether you are traveling the open plains on your way to a boss, while admiring the beauty and artistry of the environments while drooling over the magnificent animation of the hero and his horse, or whether you are picking your jaw of the floor as you battle the beautiful and epic sized bosses, this game has that ‘it’ factor that makes it unforgettable. Last but not least, you haven’t seen the true power of the PS2 until you see one of the mammoth bosses in this game, they are huge, and not only are they huge, but they move and act surprisingly (can I say Jaw ‘droppingly‘?) real, I mean they move just as you would expect a 200 feet tall behemoth to move, and they do it with grace and brains.īy brains I mean AI, they don’t move like mindless robots, they move like living beings, that will try to squash your puny tough resilient hero, at any opportunity they can get. However some of the Colossus are gigantic, and I fell a few times from some of them, and never died, so maybe the blame for not allowing players to jump from cliffs, or swim very deep in the water, must fall on the technical deficiencies of the PS2 rather than on the Developing team. I mean by all intents and purposes no one can survive a jump of a massive cliff like the ones in Shadow, so I guess that’s okay to die from the jump. That really has to be my main complaint on the freedom of exploration department, which might or might not be valid depending on who plays the game. ![]() So while you can probably find a way to get to that body of water that you see 500 feet down below of your character, you can’t get there by just jumping. To put an example, in the Gerudo Area in Ocarina of Time, you could dive head first of the cliff into the water, try doing that in one of the Massively epic cliffs in shadow, and you will surely meet your death at the bottom. Perhaps we should blame it on the fact that the developers were shooting for realism, rather than lazy programming. ![]() Also the game lacks the full interactivity with the environment that Ocarina allowed. Yep! This is a lonely adventure, the game also, while it allows you to explore the world freely and swim underwater (YAY!), it doesn’t let you swim very deep. The game doesn’t quite pull the great magical feel of Ocarina of Time (then again Wind Waker didn’t do it either) as the game doesn’t have (which is really a shame even though you need the sun to be out for you to use your blade to locate the Colossus) a day/night cycle, towns with people or actual places with people. In short the world of Shadow of the Colossus is the kind of world most of us would like to live in. Most importantly the animation of the main character and his trusty horse are unparalleled, the horse here is the Epona of 2005, the animation is impeccable, the horse itself looks damn near photo realistic. There are effects that simulate individual blades of grass and the water effects are very well done. If you can see it on the screen, you can go there, that’s the best way I can describe this, think Morrowind (XBOX/PC) but without load times, and much better graphics, more impressive landscapes, and really a much more impressive visual package overall. (The Jak and Daxter series features a system similar as this, but the world doesn’t look as realistic.) In no other game in the system will you find huge open areas, with magnificent vistas, all done in full 3-D with out load times, or any kind interruptions. ![]() ![]() The game which is created by the team behind the cult classic ICO, delivers what can possibly be defined as the most ambitious, and best looking PS2 title ever. It also features a guy with a sword, a bow and Arrows, that rides on a horse across the open fields. Colossus, is innovative, huge, and simply a work of art. Shadow of the Colossus is the closest thing I have played to 1998’s GREAT The Legend of Zelda: Ocarina of Time, in this generation. AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |