Plogue bidule for pro tools 113/27/2023 Normal: The Spatial Mic capsule array is aimed up.Įnd-Fire: The Spatial Mic capsule array is aimed forward. It is often desirable for the orientation to correspond with the real-life position of the microphone. Tilt and rotation are maintained when rolling.Īctivates a selectable frequency high pass filter, useful to cut wind noise or other low frequency artifacts. Rolls the Spatial Mic recording direction side to side. Tilt and roll are maintained when rotating. Rotates the Spatial Mic recording direction left and right. Rotation and roll are maintained when tilting. Tilts the Spatial Mic recording direction up and down. Options: Type 1, Type 2, Type 1 LN, Type 2 LN, Custom (64-channel. While Type 1 and Type 2 offer the best spatial resolution, Type 1 LN and Type 2 LN conversion filters offer lower noise alternatives for recording quiet sound sources. In general, the Type 1 filter selection will have a slightly more pronounced mid-range vs Type 2. Type 1 and Type 2 allow for a tonal choice and both have complimentary low noise versions. Controls & Interface Controlsįour built-in filters that transform the raw capsule output are available. Spatial Mic Converter should be the first plugin in your signal chain when processing the raw signals from Spatial Mic. wav filters for any 8-channel second order microphone, however this is beyond the scope of this article. Note that the plugin also offers the ability to load custom 64-channel. The built-in Spatial Mic Converter filters are specific to the raw signals from Spatial Mic and as such are only valid for Spatial Mic. The ambisonic output can be sent to a variety of plugins from Facebook 360, SSA, Blue Ripple Sound, IEM, SPARTA and others for further processing while mono or stereo outputs can be used with standard mono/stereo audio production plugins. Link: Skip ahead to learn about the virtual mic output and pattern decoding with Spatial Mic This is useful when aligning audio position with 360 video, aiming the mic at specific sounds that should be in front of the listener, or used in combination with the virtual mic output stage to focus directional polar patterns at different parts of the soundfield. Spatial Mic Converter offers the capability to change the microphone’s aim at the point in space where the audio was recorded. Link: Download Spatial Mic Converter & free listening session The plugin and demo session are available as free downloads to test system compatibility. To accomplish this, Spatial Mic Converter uses an internal 64-channel filter matrix and measurements from an anechoic chamber.Spatial Mic Converter is available as VST3 and AAX and requires a host that supports multi-channel audio tracks such as Reaper, Pro Tools Ultimate, Nuendo or Plogue Bidule. The Spatial Mic Converter plugin transforms the raw audio signals from Spatial Mic to a format useful for audio production.The output from Spatial Mic Converter can decode to first or second order ambisonics in ambiX or FuMa formats, in addition to mono/stereo virtual microphone patterns with flexible higher-order options.
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